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Alberto Toscano (born 1 January 1977) is a cultural critic, social theorist, philosopher and translator best known to the English-speaking world for his translations of the work of Alain Badiou, including Badiou’s ''The Century'' and ''Logics of Worlds''. He served as both editor and translator of Badiou’s ''Theoretical Writings'' and ''On Beckett''. Alberto Toscano's own work has been described both as an investigation of the persistence of the idea of communism in contemporary thought and a genealogical inquiry into the concept of fanaticism.〔(Toscano's Author Page at Institute for the Unstable Media )〕 He is the author of ''The Theatre of Production'' (2006), and his book ''Fanaticism: The Uses of an Idea'' was published in 2010. Toscano has published numerous articles on contemporary philosophy, politics and social theory. In an article on the Tarnac 9 case, written for The Guardian in December 2009,〔(Criminalising Dissent )〕 Toscano argues that society is losing its ability to distinguish between vandalism and terrorism. A reader in sociology at Goldsmiths, University of London, Toscano is a member of the editorial board of the journal ''Historical Materialism: Research in Critical Marxist Theory''. According to Alex Callinicos this journal "has been one of the main drivers of the academic revival of Marxism" since the mid-1990s. ==Selected bibliography== ;Translated books *Alain Badiou, ''Logics of Worlds'', London: Continuum, 2009. *Alain Badiou, ''The Century'', London: Polity, 2007. *(with M. Mandarini) Antonio Negri, ''Political Descartes: Reason, Ideology and the Bourgeois Project'', London: Verso, 2007. *Alain Badiou, ''Handbook of Inaesthetics'', Stanford: Stanford University Press, 2004. *(with Ray Brassier), Alain Badiou, ''Theoretical Writings'', London: Continuum, 2004. *(with E.R. Albert), Éric Alliez, ''The Signature of the World, Or, What is Deleuze and Guattari’s Philosophy?'', London: Continuum, 2004. *(with Nina Power), Alain Badiou, ''On Beckett'', London: Clinamen Press, 2003. ;Authored books *''Theatre of Production: Philosophy and Individuation between Kant and Deleuze'', Basingstoke: Palgrave, 2006. *''Fanaticism: The Uses of an Idea'', New York: Verso, 2010. ''Le Fanatisme. Modes d'emploi'', (La fabrique ), 2011 (FR). ;Articles in edited collections and books *"Technical Culture and the Limits of Interaction: A Note on Simondon," in Joke Brouwer & Arjen Mulder (eds.), ''Interact or Die!'' (Rotterdam: NAi, 2007): 198-205. *(with Nina Power), "Politics". ''Badiou: Key Concepts''. Ed. Justin Clemens and A. J. Barlett. (London: Acumen, 2010).〔Contributions from various Badiou scholars and translators including, along with Toscano and Clemens, Bruno Bosteels, Ray Brassier, Oliver Feltham, Z.L. Fraser〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Alberto Toscano」の詳細全文を読む スポンサード リンク
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